- Dr Nick Prior
- Head of Subject
- 3.05, 3F4 15 Buccleuch Place Edinburgh UK EH8 9LN
- +44 (0)131 650 3991
- Research Interests
- Popular culture, popular music, digital culture, cultural theory, new media, Pierre Bourdieu, urban sociology
Semester Times: Thursdays 10-12
- BA (University of York)
- MA (University of York)
- PhD (University of Edinburgh)
Research Interests and Current Projects
I'm currently writing a book, Popular Music, Technology and Society (Sage) which aims to move social science-based scholarship on pop music into more contemporary territories shaped by globalised, digitalised, networked relations. I've also worked on topics in the sociology of museums and visual culture, the sociology of cities and media/popular culture. I have a particular interest in the cultural sociology of Pierre Bourdieu and critical conceptual accounts of the hypermodern. I have co-edited a collection with Kate Orton-Johnson called Digital Sociology (Palgrave Macmillan) which assesses the methodological and conceptual challenges faced by the discipline as it confronts digitalised social landscapes. I am co-Editor (with Isabelle Darmon and Lisa McCormick) of the journal Cultural Sociology and sit on the editorial boards of New Formations, Audio/Visual: Journal of Cultural Media Studies and Sociologia Italiana. I am a Carnegie Trust Assessor and a member of the ESRC Peer Review College. I am academic consultant for the video games company The Story Mechanics.
I'm also an electronic musician with experience of composition, remixing, writing scores for films, documentaries and theatre. You can find out more at my personal homepage.
Current PhD Students
- Alexandra Ntouvli: Digital Literacies and Popular Culture
- Alex Davenport: LGBT and Media
- Arek Dakessian: Culture Industries in Beirut
- Chun-Ming Huang: Taiwanese Popular Music in China
- Chi-Chung Wang: Learning Rock Music in High School: The Case of Taiwan
- Ben Twist: Performing Arts and Environmental Change
- Jennifer Kirkwood: Elite World Schools and Global Citizenship
- Malena Müller: Peruvian Nationalism and Fusion Music
Paul Harkins: Sampling and Popular Music (2016); Harriet Kennedy: Les Bandes Dessinées and the Quebec Referendums (2016); Fiona Myers: Sociology of Portraiture (2015); Marios Kampouris: Technological Innovation and the Field of Renewable Energy (2015); Kirsti McGregor: Gender and Web 2.0 (2013); Evangelos Chrysagis: An Ethnography of the Glasgow DIY Music Scene (2013); Orlando Villalobos Guevara: Independent Digital Games Production (2013); Sam Friedman: Comedy and Distinction (2011); Mary Fogarty: Competing Tastes in International B-Boy/B-Girl Culture (2011); Jack Burton: Fatherhood and Advertising (2011); Sarah Hill: Politics and Performance (2010); Alima Bucciantini: Objects, Aura and Museums (2009); Suzanne Schulz: Fashion Forecasting and the Fashion Industry (2004).
'Beyond Napster: Popular Music and the Normal Internet', Sage Handbook of Popular Music, edited by Andy Bennett and Steve Waksman, Sage, 2015.
'"It's a Social Thing Not a Nature Thing': Popular Music Practices in Reykjavík, Iceland", Cultural Sociology, 9(1): 81-98, 2015.
'The Plural iPod: A Study of Technology in Action', Poetics, Vol.42, Issue 1, February 2014: 22-39. (With a short presentation and discussion of the findings at The Conversation).
Digital Sociology: Critical Perspectives, edited with Kate Orton-Johnson, Basingstoke: Palgrave Macmillan, 2013, including "Introduction" and "Afterword: Mediating the Digital". Order here.
'Ground Zero', 'Original Accident', in The Virilio Dictionary, edited by John Armitage, Edinburgh University Press, 2013. Order here.
'Bourdieu and the Sociology of Music Consumption: A Critical Assessment of Recent Developments', Sociology Compass, 7: 3, 2013: 181-193.
'Musiques Populaires en Regime Numerique: Acteurs, Equipements, Styles et Pratiques', Réseaux, 30: 172, 2012: 67-90.
'Speed, Rhythm and Time-space: Museums and Cities', Space and Culture, 14:3, 2011: 197-213.
'Critique and Renewal in the Sociology of Music: Bourdieu and Beyond', Cultural Sociology, 5:1, 2011: 121-138. Reprinted in The Routledge Reader on the Sociology of Music, John Shepherd and Kyle Devine (eds), Routledge, 2015.
'The Rise of the New Amateurs: Popular Music, Digital Technology and the Fate of Cultural Production', in Handbook of Cultural Sociology, John R. Hall, Laura Grindstaff and Ming-cheng Lo (eds), Routledge, 2010.
'Software Sequencers and Cyborg Singers: Popular Music in the Digital Hypermodern', New Formations, 66, Spring 2009: 81-99.
'OK Computer: Mobility, Software and the Laptop Musician', Information, Communication and Society, 11:7, October 2008: 912-932.
'Putting a Glitch in the Field: Bourdieu, Actor Network Theory and Contemporary Music', Cultural Sociology, 2:3, 2008: 301-319.
'Pithy, Polemical and Paradoxical', review of Pierre Bourdieu's Political Interventions, Times Higher Education, 8-14 May, 2008: p.48.
'Postmodern Restructurings' in Sharon Macdonald (ed.) A Companion to Museum Studies, Oxford, Blackwell, 2006.
'A Question of Perception: Bourdieu, Art and the Postmodern', British Journal of Sociology 2005, 56: 1: 123-139.
'Reconstructing a Sociology of the Arts', extended review, The Sociological Review, vol.2, no.4, November, 2004: 586-592.
'Having One's Tate and Eating it: Transformations of the Museum in a Hypermodern Era', in Andrew McLellan (ed.), Art and its Publics: Museum Studies at the Millennium, Oxford: Blackwell, 2003.
'The Art of Space in the Space of Art: Edinburgh and its Gallery, 1780-1860', (pdf file) Museum and Society, July 2003, 1:2.
Museums and Modernity: Art Galleries and the Making of Modern Culture, Oxford and New York, Berg, 2002. Shortlisted for the Philip Abrams Memorial Prize, BSA.
'Urban Portraits: Space / Body / City in Late Georgian Edinburgh', New Formations, 47, Summer 2002: 194-215.
'Museums: Leisure Between State and Distinction', in Histories of Leisure, Rudy Koshar (ed), Berg: Oxford, 2002: 27-44.
'A Different Field of Vision: Gentlemen and Players in Edinburgh, 1826-1851', in Reading Bourdieu on Society and Culture, Bridget Fowler (ed), Oxford: Blackwell, 2000: 142-63.
Recent Conference and Seminar Papers, Interviews, etc. (since 2010)
* Denotes invited talk
* ‘Vocal Sonorities, Assemblages and Mediations’, Music and Arts in Action, University of Exeter, April 2016 [keynote lecture].
* ‘Some Thoughts on Music Scenes’, Faculty of Music, University of Iceland, April 2016 [keynote lecture].
* 'From Iron Cage to Digital Bubble via the Zombie Apocalypse: Mobile Listening Devices and the City", Faculty of Music, University of Oxford, January 2016.
* 'Music Consumption as an Assemblage', Creativity and Technology Workshop, University of Cambridge, April 2015.
* 'On Vocal Assemblages', Department of Music Seminar Series, University of Edinburgh, April 2015.
* 'Game Masters: Artification and the Worlding of Indie Games', Artification Workshop, Cite Internationale Universitaire de Paris, February 2015.
* 'Some Remarks on Radio Voices: With and Without Organs', keynote lecture, Mediation / Mediatization, Department of Musicology, University of Copenhagen, August 2014.
'Vocaloids, Virtuality and Vocality: The Case of Hatsune Miku', ISA World Congress, Yokohoma, Japan, July 2014.
* 'Music in 1s and 0s', Division of Musicology, University of Lund, Sweden, June 2014.
* 'Exploring Electronic and Digital Vocalities', Music|Digitisation|Mediation, University of Oxford, July 2013.
* 'The Plural iPod', Infrastructures of Digital Culture, Open University, June 2013.
* '"It's a social thing not a nature thing": Popular Music Practices in Iceland', School of Management, St. Andrews University, June 2013.
* 'Goffman and Gaming: Lessons for Narrative, Story and Immersion', StoryLabs Workshop, The Story Mechanics, Tern TV, Glasgow, May 2013.
* 'The Plural iPod: A Study of Technology in Action', Department of Sociology of Music, University of Music and the Performing Arts, Vienna, Austria, March 2013.
* 'Scenes, Fields and/or Networks: The Case of Reykjavik", Social Spaces of Music, CRESC, University of Manchester, February 2013.
'Why Reykjavik? Understanding Cultural Density', IASPM Norden, University of Roskilde, Denmark, November 2012.
* 'The Birth of Digital Pop: Music and Technology in the 1980s', National Taiwan Normal Univesity, Taipei, September 2012.
* 'Fast, Slow or Rhythmical: The Museum's Dialogue With The City', National Taiwan Normal University, Taipei, September 2012.
* Interview for M3 music event, Maastricht, April 2012.
* 'Digital Formations of Popular Music: Producers, Devices, Styles and Practices', Music Sociology Symposium, Griffith University, Brisbane, Australia, March 2012.
* 'Oops...I Did It Again! Theorizing Contingency in Popular Music', Cultures of Popular Music Seminar Series, Griffith University, Brisbane, Australia, March 2012.
* 'Why 1983? Digitalization Goes Pop', Pecha Kucha, Glasgow School of Art, June 2011.
* 'Modernité du numérique?', Plenary Lecture, Artistic Work and Creativity in the Digital Era, University of Avignon and the Vaucluse, France, May 2011.
* 'The Success of Failure: Reflections on Mistakes, Accidents and Errors in Music', University of Exeter, SocArts Symposium, May 2011.
'Unbinding Cybermedia: The Case of Lost', with Kate Orton-Johnson, BSA Annual Conference, London School of Economics, April 2011.
'Thinking Music Sociology After Bourdieu', European Sociological Association, Arts Research Network, University of Surrey, August 2010.
* 'Laptops in Popular Music', ANR Seminar, Les Artistes et Regimes Numerique, L'Institut Sciences Sociale et du Travail, Paris, France, June 2010.
* 'Digital Formations in Music: People, Devices, Styles and Practices', From Helmholtz to Hard Drives: Music's Material Legacy and Digital Future, Faculty of Music, University of Cambridge, May 2010.
'Snap, Crackle and Pop: Re-writing Popular Music Studies Through Contingency', Musicology in the Third Millennium, Sibelius Academy, Seinajoki, Finland, March, 2010.
Topics interested in supervising
My research interests span the broad field of culture but I have a particular interest in popular music, contemporary media, including the relationship between digital technology and popular music production, changing forms of cultural expertise, technological mediations and everyday practices. I would welcome proposals from research students with interests in the sociology of culture, but particularly in the following three fields: 1) popular music, technology and contemporary sonic cultures; 2) digital culture, media and "new" media; 3) cultural theory, particularly the cultural sociology of Pierre Bourdieu. I am currently supervising students whose topics span a broad range of topics across culture, including video gaming; web 2.0.; comedy, taste and the work of Pierre Bourdieu; popular music scenes and practices; music technology and the case of sampling; visual art and the case of portraiture; rock music and technology in Taiwan; technological innovation and fields.
If you are interested in being supervised by Nick Prior, please see the links below for more information: