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My research blog is called 'De Media Automatiek'.
I am a media anthropologist whose ethnographic research explores the social, political and technological lives of the cinema in South Asia. I am particular interested in the encounter between empirical audiences and the aesthetic and technological aspects of film as well as the place of the moving image in political mobilisation and contestation. My work combines ethnographic methods with archival work.
My monograph Cut-Pieces: Celluloid Obscenity and Popular Cinema in Bangladesh (Columbia University Press, 2014) is an ethnographic exploration of the practice of making and screening illegal sexually explicit celluloid (http://cup.columbia.edu/book/978-0-231-16288-3/). The book was awarded the 2016 Bernard S. Cohn Book Prize.
In 2013 I received an ESRC Future Research Leaders grant for the project 'The Ends of Modernism: Understanding the Political Uses of Modernist Art among Muslim Intellectuals in Bangladesh since 1952'. I am currently finishing a monograph based on this research that explores the nature of film appreciation as a social practice and asks how the art film has been a site for political contestation within Bangladesh.
My current research engages the places of the moving image within state practices in the history of eastern Bengal.
I received my PhD from the University of Amsterdam in 2008 and joined the University of Edinburgh in 2009.
Courtesy of the Bangladesh National Archive
Hoek, Lotte. 2020. When Celluloid Pornography Went Digital: Class and Race in the Bangladeshi Cut-Piece Online. Porn Studies 7(1): 97-114. https://doi/full/10.1080/23268743.2019.1607539
Hoek, Lotte. 2019. Pictures on paper: Censoring cinematic culture through the Bangladesh Film Club Act. Terrain November. URL: http://journals.openedition.org/terrain/19361 ; DOI : 10.4000/terrain.19361
Hoek, Lotte and Sanjukta Sunderason. 2019. Journeying Through Modernism: Travels and Transits of East Pakistani Artists in Post-Imperial London. British Art Studies. Issue 13, https://doi.org/10.17658/issn.2058-5462/issue-13/hoek-sunderason
Hoek, Lotte. 2017. Mirrors of Movement: Aina, Afzal Chowdhury’s cinematography and the interlinked histories of the cinema in Pakistan and Bangladesh. Screen 57(4): 488-495.
Hoek, Lotte. 2017. Film For Good: Can cinema produce social justice? Anthropology News 58(2): 3-4.
Hoek, Lotte. 2016. Urban Wallpaper: Film Posters, City Walls and the Cinematic Public in South Asia. South Asia 39(1): 73-92.
Hoek, Lotte. 2016. Revelations in the Anthropology of Cinema. Anthropology of this Century 15 (May).
Hoek, Lotte. 2015. Cinema and the Melodrama of Nationalism. Himal Southasian 28(3): 66-77.
Hoek, Lotte. 2014. Cross-Wing Filmmaking: East Pakistani Urdu Films and Other Traces from the Bangladesh Film Archive. BioScope: South Asian Screen Studies 5(2): 99-118.
Hoek, Lotte. 2014. Cut-Pieces: Celluloid Obscenity and Popular Cinema in Bangladesh. New York: Columbia University Press.
Hoek, Lotte. 2013. Blood Splattered Bengal: The Spectacular Spurting Blood of the Bangladeshi Action Cinema. Contemporary South Asia 21(3): 214-229.
Hoek, Lotte. 2013. Killer not terrorist: Visual articulations of terror in Bangladeshi action cinema. South Asian Popular Culture 11(2): 121-132.
Hoek, Lotte. 2012. Mofussil Metropolis: Civil sites, uncivil cinema and provinciality in Dhaka City. Ethnography 13(1): 28-42. Special Issue: Crowds and Conviviality: Ethnographies of the South Asian City, edited by Ajay Gandhi & Lotte Hoek
Hoek, Lotte. 2010. Urdu for Image: Understanding Bangladeshi Cinema through its Theatres. In Shakuntala Banaji (ed.). South Asian Media Cultures: Representations, Audiences and Contexts. London & New York: Anthem Press.
Hoek, Lotte. 2010. Cut-Pieces as Stag Film: Bangladeshi Pornography in Action Cinema. Third Text 24(1): 133-146.
Hoek, Lotte. 2010. Unstable Celluloid: Film Projection and the Cinema Audience in Bangladesh. BioScope: South Asian Screen Studies 1:1.
Hoek, Lotte. 2009. More Sexpression Please! Screening the Female Voice and Body in the Bangladesh Film Industry. In Birgit Meyer (ed.). Aesthetic Formations: Media, Religion, and the Senses. New York: Palgrave Macmillan.