Sociology
The War Image: The ethics of showing, seeing and sharing war
What is the role of the artist, the photograph, and humanitarian communication in wars defined by the digital flux and saturation of images? Has digital participation and instant connectivity illuminated or obscured war’s human experience and costs? How are colonial technologies of vision and image-making translated into the realm of automated decision making? And after digital war is all that is left only more traumatic memory or something salvageable for remembrance, justice and accountability?
This symposium launches Prof. Andrew Hoskins’ project WARSHARE: The New War Front: Digital Participation in War (UKRI HEu ERC Advanced Grant EP/Z53335X/1